1. Double.
2. Reproduction.
3. Exemplaire.
ETYM French copie, from Latin copia abundance, number, Late Lat. also, a transcript; co- + the root of opes riches. Related to Opulent, Copious.
1. An imitation or reproduction of an original.
2. Material suitable for a journalistic account.
3. Matter to be printed; exclusive of graphical materials; SYN. written matter.
Either of two things that correspond to one another exactly; SYN. duplication.
ETYM Latin fac simile make like; or an abbreviation of factum simile made like; facere to make + similes like. Related to Fact, and Simile.
1. An exact copy or reproduction; SYN. autotype.
2. Transmits the copy by wire or radio; SYN. facsimile machine, fax.
See fax.
ETYM Latin imitatio: cf. French imitation.
1. A copy that is presented as the original; SYN. counterfeit, forgery.
2. The act of imitating.
3. The doctrine that representations of nature or human behavior should be accurate imitations.
In music, a contrapuntal device in which a theme or motif is repeated in different vocal or instrumental parts. The strictest form of imitation is the canon, in which every voice has, in turn, exactly the same notes and rhythms as the one before it. In a fugue the subject (principal melody) is treated imitatively, before a greater degree of contrapuntal freedom occurs in a non-thematic episode (a passage linking appearances of the subject). The use of imitation in composition can be traced back to early forms of polyphony from about 1200.