The music of Wagner.
(1813-1883) German opera composer. He revolutionized the 19th-century conception of opera, envisaging it as a wholly new art form in which musical, poetic, and scenic elements should be unified through such devices as the leitmotif. His operas include Tannhäuser 1845, Lohengrin 1848, and Tristan und Isolde 1865. In 1872 he founded the Festival Theatre in Bayreuth; his masterpiece Der Ring des Nibelungen/The Ring of the Nibelung, a sequence of four operas, was first performed there 1876. His last work, Parsifal, was produced 1882.
Wagner’s early career was as director of the Magdeburg Theatre, where he unsuccessfully produced his first opera Das Liebesverbot/Forbidden Love 1836. He lived in Paris 1839–42 and conducted the Dresden Opera House 1842–48. He fled Germany to escape arrest for his part in the 1848 revolution, but in 1861 he was allowed to return. He won the favor of Ludwig II of Bavaria 1864 and was thus able to set up the Festival Theatre in Bayreuth. The Bayreuth tradition was continued by his wife Cosima (Liszt’s daughter, whom he married after her divorce from Hans von Bülow); by his son Siegfried Wagner (1869–1930), a composer of operas such as Der Bärenhäuter; and by later descendants.
Čuveni nemački kompozitor opera.