"stih bez rime" prevod sa srpskog na engleski

Unrhymed verse (usually in iambic pentameter).
Rhymeless decasyllabic iambic line.
In literature, the unrhymed iambic pentameter or ten-syllable line of five stresses. First used by the Italian Gian Giorgio Trissino in his tragedy Sofonisba 1514–15, it was introduced to England about 1540 by the Earl of Surrey, who used it in his translation of Virgil’s Aeneid. It was developed by Christopher Marlowe and Shakespeare, quickly becoming the distinctive verse form of Elizabethan and Jacobean drama. It was later used by Milton in Paradise Lost 1667 and by Wordsworth in The Prelude 1805. More recent exponents of blank verse in English include Thomas Hardy, T S Eliot, and Robert Frost.
After its introduction from Italy, blank verse was used with increasing freedom by Shakespeare, John Fletcher, John Webster, and Thomas Middleton. It was remodeled by John Milton, who was imitated in the 18th century by James Thomson, Edward Young, and William Cowper, and revived in the early 19th century by Wordsworth, Shelley, and Keats, and later by Lord Tennyson, Robert Browning, and Algernon Charles Swinburne.

(French) “free verse”.